I’m very excited to announce that my new online store is open for business, check it out
Just a few things in there at the moment, more to come soon
This is the dress I made from the painted denim jeans panel.
Alas, some of the detail in the top layers of paint have been lost in the wash, still looks OK though.
Next time I try this I will know to do all the painting in one flat layer, like a picture in a colouring in book.
I’ve been painting! Every now and then my friends and I get together for an arty/crafty painting session. Rather than doing the usual painting on canvases, this time we decided to try stenciling on T-shirts using freezer paper. I had never tried this before as we can’t get freezer paper in the shops here in NZ, but my friend Raewyn was able to get some from the US for us to experiment with.
We printed out some designs/motifs to use, then transferred them to the freezer paper by tracing over the top (dull side of freezer paper) in pencil. Next we used a craft knife and cutting mat to cut out the shape, then ironed the stencil onto our garment/fabric. Shiny side down so it sticks to the fabric not the iron! (whoops, sorry Rae) When using a T-shirt, another piece of freezer paper is also ironed to the back of the design to prevent the paint seeping through.
I’m still in my denim phase at the moment, old denim jeans are cheap and readily available from second hand shops and easy to work with, so I chose to do some painting on a jeans panel to be put in another garment rather than a T-shirt.
I decided to experiment a little on fabric scraps. The swatches on the left are the “control” scraps, the ones on the right have been heat set with an iron and then washed to see if the colour stays put.
The top blobs (red and white) are the textile paints for comparison. I tried using white as a base layer on the denim to make the colour stand out, as it is harder to see on a dark background. I used the acrylic colours mixed with the white textile paint as well as straight from the bottle to see if it made any difference.
As you can tell, the textile ink by itself was fine, the acrylic by itself was fine, the textile/acrylic mix was also fine. The coloured paint on top of the white was not fine, it washed off; the paint needs to bond with the fabric to become permanent.
My conclusions, one, ordinary acrylic paint made for paper and canvas works just as well as textile paints, two, if painting on denim, it’s best to use a lighter coloured denim if you want the paint to stand out.
I’ll be using the panel in a dress which should be finished soon, watch this space…
This is another dress we used in a recent photo shoot, beautifully modeled by my lovely sister.
The skirt is made from vintage fabrics and lace. The larger pieces of fabric in the skirt are square shapes, with one corner rounded off in a similar way that circular skirts are cut. Putting many pieces together like this makes the skirt very full and swirly.
The bodice is made using fabric cut from another skirt I shortened.
Front and back has hand made fabric roses from from vintage fabrics, trimmed with ribbon, lace and vintage braid.
Thanks to my husband Keith, I got some lovely shots of the finished fairy style dresses I made.
This one I am wearing is the one I wrote about in my last post , made from denim scrap from some jeans and other bits and pieces. It took me a long time to finish, as I got quite frustrated with the whole thing a few times, then it finally came together the way I wanted.
The skirt is made up of different layers using strips of tricot and tulle on the bottom, some tea dyed broderie anglaise cotton from an old skirt, strips of vintage spotted net and some ripped up pieces of an old blouse, and then the patchwork bustle layer on top. The bodice is cut from the bottom half of a pair of jeans (the top got made into a skirt) with patchy bits here and there, and mock lace-up inserts on the front.
Coming soon, pictures of the other dress.
The dress, as is, on my dress stand.
A bit lopsided but there is a reason as you will see…
I’m pleased with how this is turning out, there is just one little thing I have to change, the top part of the “petticoat” lining layer is sitting too high. It’s kind of hard to tell on her, but on my body it looks a little weird and needs to be lowered a bit.
I’m either going to pull all the lace off the top and cut away the excess fabric, or pin and pinch it down like this and hand stitch the folds.
It was err, interesting sewing the bustle layer. When I first started I had a rough Idea of what I wanted it to look like but was getting very frustrated when it wasn’t happening. I spend a long time (and I mean LONG, like days and days) thinking about how all the edges were going to be finished, how it was all going to be joined together, and how I could get lots of random scrappy bits sewn on in the right place until I felt like pulling my hair out!
I cut out the rough shape in the same cotton as the skirt base and added the ruffle around the edge with the dark green rick-rack trim, then decided I was just over thinking the whole thing and needed to let go and just sew sew sew. So… I grabbed some fabric scrap I liked, plonked it on, grabbed a bit of ribbon, slid them all into the sewing machine in a haphazard fashion and stitched away, and hey presto it worked!
I continued in this way until the the bustle piece was covered and looking just how i wanted it.
The pieces that I melted were used here under the bustle layer to add more texture and ruffly bits to the skirt.
Finishing the back was also giving me a bit of headache, this is how it turned out,
I made the zip visible as a design feature and added some fancy machine stitching along the edge. Have decided that the uneven height on the bodice panels and lace at top is also a “design feature”
Some fabrics fray nicely and look cool, like denim or cotton. Other fabrics just make a really big mess with lots of threads going all over the place.
I wanted to use some scrappy pieces in the skirt of the dress I am working on without all the mess, so I tried melting the edges with a candle.
Turned out OK, a bit blacker in places than I wanted but I can live with that. I also managed to get a few corners dipped in wax, (whoops) will add to the texture!
WARNING: Doing this with polyester and nylon makes nasty fumes, so do it outside or with lots of ventilation. Also be very careful with your fingers, candles burn and so can freshly melted fabric! Ouch!
Remember this green jeans skirt I made? I’m using the cut off pant legs to make a bodice for a patchy fairy style dress.
Here’s a look at the front part of the bodice before being completely sewn up.
You can see I’ve used the unpicked hem at the top of one panel for a bit of added textural detail and I’ve added some patchwork applique and lace.
The skirt base is cut from an old cotton sheet with randomly sized triangular strips of tricot attached to the bottom. I’m planning to have lots of layers and scrappy bits over the top. The bottom edge is shaped so that it will be a bit shorter at the front.
The dress lining is made from the same green tricot, the elastic straps are from a bra that I didn’t fit properly
Now I’m building up the layers, firstly with some gathered tulle,
then with broderie anglaise from my tea dyed skirt, I cut it off just under the pockets and shaped it slightly to fit the shape of the skirt base.
Currently going well and progressing as planned, hooray!
I’ve been wanting to have a go at dyeing with tea for a while now.
I had an old white cotton skirt with a broderie anglaise hem that I wanted to incorporate into my current project (using up the pant legs from the green jeans) and needed to be less, well, white!
I also wanted to try it on this cream rayon dress mum gave me with cool embroidery details
and a vintage (gulp) wool cardigan that had become yellow with age to see a) if it would work on rayon and wool, and b) what colour would cream go in a tea bath?
I boiled a big pot of water and then added LOTS of old tea bags, most of which had been sitting around in the kitchen for years as we drink coffee!
I let the tea brew for an hour or so and then removed all the teabags – or so I thought!
The pot wasn’t big enough for all three garments at once so I soaked them one at a time. The cotton skirt was first, I left it in for about two hours giving a stir every now and then, and took it out for a rinse.
I left the rayon dress for a bit longer, as supposedly it it harder to dye. The great thing about a tea bath is that you can use the same liquid over again. I put the wool cardigan in last and left it over night (about ten hours) as I wanted to see how brown it would go.
Unfortunately, when I took it out the next morning it was very blotchy. It was a lovely caramel brown colour, but blotchy. I couldn’t understand how this happened when the other two were fine? Was it because it didn’t get stirred?
When I emptied the pot of tea I discovered the problem. Teabags still at the bottom of the pot! Arrrgg! If you want a nice even colour, take out ALL the teabags first! And give it a stir now and then.
I also gave the garments a spin in the dryer to “set” the dye, hence the slight shrinkage of the cardigan. I’m not too worried about it as I was planning to try and felt it anyway.
Here’s my after shots of the skirt and dress:
They came out a kind of pinky brown colour, they look a bit washed out in these photo’s, you can see a more true representation of the colour in this one:
Now it works better with the other fabrics I’m using.
I started with a pair of slightly faded green jeans, then made them into a skirt like this.
It was a bit plain so I decided to add some patchwork applique and lace
My favourite so far!
If you look at the back of the waistband you can see the original colour where I’ve pulled the tag off. It’s now more of a turquoise green.
I am using the cut off pieces from the legs for another project which will be revealed soon.